Mina Radović is a Serbian visual artist blending painting, video, and digital media to explore the human body, identity, and transformation through abstraction and experimental forms.
Mina Radović (b. 1988) is a Serbian visual artist whose practice spans painting, video art, and digital media. She holds both graduate and postgraduate degrees in Painting from the Faculty of Applied Arts at the University of Arts in Belgrade, where she earned her PhD in Interdisciplinary Studies, with a focus on Digital Art, in 2018.
Her doctoral research, Human Body Forms, marked a pivotal point in her artistic development, merging traditional painterly techniques with contemporary digital media and experimental video. This work demonstrates a profound exploration of corporeality, perception, and the ways the human form is mediated through visual culture. As both an academic and an artist, Radović continues to interrogate the boundaries between physical and digital representation.
Alongside her artistic career, Radović has made significant contributions to art education. She served as Professor and Chair of Painting and Drawing at Lekart Academy, a private art school offering junior and senior-level programs. In this role, she developed curricula, led instruction, and mentored young artists through interdisciplinary workshops and creative projects.
Radović has exhibited extensively in Serbia and internationally, participating in numerous group exhibitions as well as sixteen solo painting exhibitions and seven video installation exhibitions. Her visual language is characterized by a poetic interplay of form and motion, frequently addressing themes of identity, embodiment, and transformation.
An active member of the Association of Fine Artists of Serbia (ULUS), Radović contributes to contemporary art discourse in the country. Through her multifaceted practice, she bridges classical fine art traditions and emergent digital methodologies, establishing herself as a dynamic voice in the evolving landscape of contemporary art.
Her recent work presents a meditative inquiry into the human form, transformation, and the visceral quality of lived experience. Rooted in abstraction, Radović’s paintings create a layered dialogue between corporeality and the ephemeral, between structure and dissolution. Each piece reflects a careful engagement with materiality, gesture, and psychological resonance.
Mina Radović’s art transcends aesthetic experience, functioning as a philosophical investigation into the forces that shape and distort human experience, both internal and external. Her integration of traditional painting techniques with experimental forms and materials positions her within a compelling lineage of contemporary abstractionists who merge emotional intensity with formal rigor.
In her hands, abstraction becomes a language of the body—fluid, vulnerable, and persistently alive.
